The italian website XtremeHArdware.it (Click here via Brian Mosley) leaked the full press release. It’s up to you to check for google translation errors ;)

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Fujifilm is proud to announce the new model changes the rules in the new interchangeable lens system: Fujifilm X-Pro1. This camera is aimed at a professional audience and advanced amateurs and incorporates advanced technologies such as Trans-X’s unique sensor CMOSTM megapixel APS-C 16, a new X port for mounting the lens, a viewfinder and three hybrid optical the base.

X-Pro1 sets new standards in image resolution

For this camera, Fujifilm has developed a new CMOS sensor called X-TransTM CMOSTM which is able to provide a response similar to that of a sensor “full frame”.
The new array (CFA – Color Filter Array) opens the way for an ideal sensor that does not require an optical low-pass filter. This filter is in fact essential for the reduction of false colors and moiré generated by conventional sensors, but at the same time, also degrades the resolution. Fujifilm has developed a new matrix that is inspired by the CFA random arrangement of the grain in the film, eliminating the need for optical low-pass filter to solve the problems of false colors and moiré. In the matrix, RGB pixels are arranged in groups of 6×6 pixels with high aperiodicity (randomness). Increasing the degree of randomness eliminates the root cause of the false color and moiré, a problem that occurs in conventional matrix elements during the filming of rows and other repeating patterns. The presence of a pixel R, G and B in each series of horizontal and vertical pixels minimizes the generation of false colors and provides superior color reproduction themselves.
The use of a matrix inspired by the film has necessitated a more powerful processor to process image data for this FUJIFILM EXR Processor Pro has created this project to optimize the potential of the Trans-X sensor CMOSTM providing high speed and high-precision image processing.

Fujinon XF for the best image quality

The Fujinon lenses used for television broadcasts and medium format cameras, have always been associated with high image quality. All the experience in the design of the optics has been used in the study phase of the objectives dedicated to X-Pro1.
The targets are launched with the machine, and three are part of the new XF series Fujinon: “XF 18mm F2 R”, “XF 35mm F1, 4 R” and “R XF 60mm F2 Macro 4”. These objectives are compact, very bright and offer precise control over depth of field effect and the possibility out-of-focus bokeh thanks to the design of the curved blades of the diaphragm. The slats are curved to create a circular image at all apertures, while the edges of each blade is carefully rounded for a sharper image.
The feeling of solidity and the precise mechanics of optics will satisfy the desire of photographers to capture multiple images with every shot.

FUJIFILM Attack “X-Mount” to maximize performance

Designed specifically to maximize the design “mirrorless” of the body, X-mount flange has a short distance posterior to the sensor plane, equal to only 17.7 mm. This means that the rear lens as close as possible to the sensor. The wide opening allows you to attach the lens deeper inside the body – up to about 7.5 mm from the mounting surface – minimizing the distance of “back focus” of each lens for high resolution to the edge of the image.

Hybrid Multi Viewfinder

FUJIFILM’s revolutionary hybrid viewfinder appeared first in the X100. With its ability to instantly switch between optical viewfinder and an electronic viewfinder, the viewfinder hybrid has added a new dimension to the pleasure of composing photographs.
The user may choose to use, depending on your mood or need, depending on the optical viewfinder for a picture as real as possible and have all the information electronically in real time. The advantage of hybrid viewfinder is the ability to combine the two technologies to get the ultimate in visual quality and functionality, allowing you to place the composition of images through a bright viewfinder and offering the ability to overlay important information for the release of photos. The change from a crosshair to another is easy, thanks to the switch on the front of the body of the X-Pro1.
When mounting a Fujinon lens on the X Series XF-Pro1 in the viewfinder magnification and size of the light frame automatically change to support its focal length. The viewfinder magnification, equal to 0.37 for x and 0.60 x 18mm lens for the 35mm and 60mm, allows you to compose the scene with the brilliant optical clarity and sharpness of an image. The X-Pro1 also gives the freedom to manually set the focal distance and switch to another magnification of the viewfinder.

Technology and careful design

The top and bottom made of aluminum alloy die-cast and hand enameled precise engravings on the top and the camera lens, point to the fact that all the X-Pro1 is built with attention to detail and uncompromising quality .
This attention to detail extends to dial in shutter speed and exposure compensation control, precisely machined from solid metal. In addition, the locking mechanism and the shutter switch exposure compensation set back, are designed to prevent accidental change of settings. The edges of the selectors have a knurled finish, knurled detail, for a grip and an excellent feeling.
The seal “Made in Japan” also present on the body of the new X-PRO1, confirming that each part of the building meets the highest standards FUJIFILM.
The lens hood with precision knurled aluminum, supplied with the lens is designed exclusively for Fujinon XF. The hood is compact and lightweight and offers excellent performance with a design that perfectly matches the style of X-Pro1.
The diameter of the aperture ring and focus of the three interchangeable lenses Fujinon XF is only slightly larger than the diameter of the objective to standardize the elegant design. The precise machining of the metal, the reassuring click each picture to the aperture ring and a comfortable pair of resistance when using manual focus, contributing together to improve the shooting experience.
The coating of X-Pro1 was designed to be weather resistant and provide a look of quality. The body of X-Pro1 was designed for the complete comfort of the photographer, the natural form of the eyepiece also provides excellent protection from light. The viewfinder you can use an additional lens (optional) for diopter adjustment.

Fujifilm continues the myth of the films

Further improvements have been made to the options Film Simulation Mode with the new “Professional Color Negative Film Modes” (Pro Neg. Neg Standard and Pro. Hi) designed for users who work in the studio with the X-Pro1. If you want to take the same scene in different film simulation modes, X-Pro1 offers the option of bracketing “Film Simulation”, along with AE Bracketing, Dynamic and ISO.
Fujifilm has also included the Film Simulation mode by which X-Pro1 simulates the color and tonal qualities of popular FUJIFILM emulsions. These include the colors of Velvia, the skin tones soft and natural look of the ASTIA TEST.
Pro1-X allows you to use special color filters to expand the photographic interpretation: to increase the contrast with the yellow and red filter, make brighter green and red filter with the deepest green. Just as professional photographers when selecting a filter paper and printing to complement their creative vision, now you can easily adjust the image quality with these filters. For those who wish to achieve a more nostalgic is also a sepia filter.
Through advanced digital processing, X-Pro1 is able to simulate the multiple-exposure technique: simply select this mode and the first shot. In the hybrid viewfinder or LCD you can see what the end result and then framing the precise second shot.

A series of exclusive accessories

The handle HG-XPro1 optional, helps balance the weight of the camera, allowing a more comfortable grip and offers a uniform look to the lines of X-Pro1.
The Flash EF-X20 option, to be mounted on the hot shoe is designed as a complementary accessory to the X-Pro1. A switch lets you choose between two modes: AUTO, which automatically optimizes the flash to daylight for outdoor and indoor shooting in low light; MANUAL for manual control. In addition, the built-in speaker, easy to use, it helps to soften the effect of excessive contrast created by the flash.
The leather case LC-XPro1 optional *, X-shaped to protect Pro1, is designed to allow quick access to the camera. Particular attention was paid to every detail: the red interior that contrasts with the black leather exterior, the accuracy of the stitching and the adoption of a magnet hidden for closure. This beautiful case is completed with the inclusion of a genuine leather strap and a protective cap bellows for different optics.
Filter Protector and Protector Filter ?39mm ?52mm optional protective filters are dedicated to the new XF goals. Super EBC treatment of these filters effectively reduces reflected light. The ring of the filter, made with a special process, fits the overall design of the optics.

Fujifilm and X-lenses Pro1 18mm F2 R XF, XF 35mm F1, 4 R and R XF 60mm F2 Macro 4 will be on sale from March 2012.

Key Features

• New CMOS sensor called X-TransTM CMOSTM
• New EXR Processor Pro
• Three Fujinon dedicated XF
• FUJIFILM Attack “X-Mount”
• Hybrid Multi Viewfinder
• Sensor Cleaning System Ultra Sonic Vibration
• RAW files
• Full HD video and stereo audio
• Shutter: Focal Plane Shutter
• “Made in Japan” extremely accurate
• Film Simulation Mode Advanced
• Range of optional accessories dedicated

An anonymous source just sent me this: “The X-Pro1 is going to be released at the originally rumored $1299. The brief $1,699.95 that was on Amazon was a marketing trick to help the real price seem even more attractive. That $1299 price includes the F1.4 lens kit :)
P.P.S. The X-Pro1 flash will be optional and has a cost of $299“

Is he telling us the truth? If the prices he is mentioning here are correct than it might be. But I don’t know if that marketing trick was really necessary…if there was any trick. Because I still don’t believe Amazon did leak this for purpose!

P.S.: The Amazon X PRO 1 page is now blank (Click here to see a blank page…LOL).

P.P.S.: The full real specs have been posted a couple of hours ago: https://www.mirrorlessrumors.com/in-deep-look-fuji-x-pro-1-specs/

There is really nothing else to leak left now! Here are the full Fuji X PRO 1 specs:

Number of effective pixels: 16.3 million pixels
Image sensor: 23.6mm×15.6mm?APS-C?X-Trans CMOS with primary colorfilter
Sensor Cleaning system: Ultra Sonic Vibration
Storage media: SD memory card / SDHC memory card / SDXC(UHS-I) memory card
File format (still image): “JPEG (Exif Ver 2.3 *2), RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible)”
Movie format: H.264?MOV?with Stereo sound
Number of recorded pixels: “L?4896?3264?4896?2760?3264 ×3264   M?3456?2304?3456?1944 2304 × 2304  S?2496?1664?2496?1408 1664 ×1664
Motion Panorama: L? Vertical?7680?2160?Horizontal?7680?1440 M Vertical?5120?2160?Horizontal?5120?1440?
Lens mount: FUJIFILM X mount
Compatible Interchangeable lens “? FUJINON LENS XF18mmF2 R ? FUJINON LENS XF35mmF1.4 R ? FUJINON LENS XF60mmF2.4 R Macro”
Sensitivity:Equivalent to ISO 200 – 6400 ?(Standard Output Sensitivity)
AUTO mode: AUTO(400)/AUTO(800)AUTO(1600)/AUTO(3200)
Extended output sensitivity: equivalent ISO 100, 12800 and 25600?
Exposure control: TTL 256-zones metering, Multi / Spot / Average
Exposure mode: Programmed AE, Shutter priority AE, Aperture priority AE, Manual exposure
Exposure compensation: -2.0EV – +2.0EV,?inclement with 1/3EV step
Shutter control: Focal Plane Shutter, Shutter speed (with mechanical shutter)” “(P mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec. Bulb (max.60min.) Time?2 to 30 se”
Continuous shooting: Max 6 / 3 fps selectable
Auto bracketing: AE Bracketing (±1/3EV, ±2/3EV, ±1EV)
Film Simulation Bracketing: (Any 3 type of film simulation selectable)
Dynamic Range Bracketing: (100%, 200%, 400%)
ISO sensitivity Bracketing: (±1/3EV, ±2/3EV, ±1EV)”
Focus (mode): Single AF / Continuous AF/MF
Distance Indicator (type): TTL contrast AF, AF assist illuminator available
AF frame selection: Area ?EVF/LCD?49 areas with 7?7?OVF?25 areas with 5?5?/ Multi changeable size of AF frame: among 5 type”
White balance: “Automatic scene recognition Custom, Color temperature selection (K)
Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, underwater
Film Simulation mode: 10 type??PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA?
Dynamic range setting: AUTO?100-400???100??200??400?
Self-timer: Approx. 10sec. / 2sec. Delay
Flash modes: “Hot shoe with TTL contacts; sync terminal Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro. Rear-curtain Synchro Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro. Red-eye Reduction & Rear-curtain Synchro”
Hot shoe: Yes ( dedicated TTL?Flash compatible) Flash synchro Terminal X terminal, synchronized Shutter speed?1/180 sec or slower
Viewfinder: Hybrid Multi Viewfinder, Optical viewfinder. Reverse Galilean viewfinder with electronic bright frame display
Magnifications: 0.37x / 0.6x
Coverage of frame area v.s. capturing area: approx. 90?
Electronic viewfinder 0.47-in., approx.1,440,000-dots color LCD viewfinder
Coverage of viewing area v.s capturing area: approx. 100?
Eye sensor: installed
Eye point: approx. 14 mm
LCD monitor: 3.0-inch RGBW (White) LCD monitor, approx. 1,230,000dots, (Approx. 100% coverage)
Movie recording: “1920×1080?pixels, 1280 x 720 pixels (24frames / sec.) with stereo sound. Individual movies can not exceed 29 minutes in length.”
Photography functions: Select custom setting, Motion panorama, Color space, Color (Saturation), sharpness, Dynamic range, Film simulation, Gradation, Auto red-eye removal, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Focus check, Electronic level, Multiple exposure, Date input, Fn button setting (RAW, Movie, etc)
Playback functions: RAW conversing, Image rotate, Red-eye reduction, Photobook assist, Erase selected frames, image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites
Other functions PictBridge, Exif Print, Languages selection, Time difference, Quick start mode, Power save mode, Silent mode
Terminal (Video output) (Digital interface) (HD output)” ?USB 2.0 High-Speed HDMI mini connector
Power supply: NP-W126 Li-ion battery (included)
Dimensions: 139.5 (W) mm x 81.8 (H) mm x 42.5(D) mm / 5.5in.(W) x 3.2in. (H) x 1.7 in. (D) (Minimum depth: 34.1 mm/ 1.3 in.)”
Weight Approx: 450g / 15.9 oz. (including battery and memory card) Approx. 400 g /14.1 oz. (excluding accessories, battery and memory card)
Operating Temperature: 0? – 40?
Operating Humidity: 10 – 80% (no condensation)
Guide to the number of available frames for battery operation: approx 300 frames
Starting up period “Approx. 0.5 sec. ( Approx 1.0 sec, when QUICK START mode and Power save mode is set to OFF) * evaluated by FUJIFILM method”
Accessories included Li-ion Battery NP-W126, Battery Charger BC-W126, Shoulder strap, USB cable, Body cap, Metal strap clip, Protective cover, Clip attaching tool, CD-ROM (Viewer software, RAW File Converter etc. *3 ), Owner’s manual.
Optional accessories: Li-ion battery NP-W126, Battery charger BC-W126, Shoe Mount Flash EF-20?EF-42?EF-X20
Interchangeable lens FUJINON LENS XF18mmF2 R
Interchangeable lens FUJINON LENS XF35mmF1.4 R
Interchangeable lens FUJINON LENS XF60mmF2.4 R Macro
Protector Filter PRF-52 52mm?
Protector Filter PRF-39??39mm?
Hand Grip HG-XPro1
Leather Case LC-XPro1
* The lens of focal length at 35mm or less can be placed in this
leather case with the camera X-Pro 1.

Any questions? :) I guess this is it! Official announcement in a few hours (9pm London time). let’s see if the image quality is really amazing. That is what we really have still tos ee now!

Today at 9pm London time Fuji will announce the new X PRO 1 camera. As you know you can I am going to follow live the Fuji announcement by updating this website with all news, reviews and image samples. And as it is usual before the announcement new rumors are floating around the web. There is one particular rumor saying that Fuji will announce the development of a Full Frame mirrorless and interchangeable system. As usual take those rumors with a grain of salt but I would not be surprised to hear that Fuji will give us some hints about their future lineup. They usually do that and they could do it today too!

From top to bottom this could be the new X camera order:
– X FF camera system
– X PRO 1 APS-C camera system
– X 100 (enthusiast fixed lens camera. Already in Stock: [shopcountry 100018].)
– X S1 (entry level super zoom camera. Preorders just started at Adorama)
– X 10 (entry level compact camera already in Stock: [shopcountry 100018].)

Announcement time Reminder:
4pm NYC time (16:00)
9pm London time (21:00)
10pm Berlin time (22:00)
6am Tokyo time (06:00)

UDPATE: Amazon removed both the lens and camera preorder page!
The Fuji X PRO 1 was available for preorder here at Amazon (page now blank). The price of the body only is $1,699.95.
The price of the lens was also visible since yesterday but the preorder pages have now preordered:
The 35mm f/1.4 lens at Amazon was available for $499.
The 18mm f/2.0 lens at Amazon was available for $499.
The 60mm macro lens at Amazon. was available for $599.

UPDATE: There was alao a page on Adorama (so I have been told but I didn’t find it).

If those are indeed the real prices let me know what your intentions are:

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via PhotoRumors!

Our friends over at Photorumors found other two images of the Fuji X Pro 1 camera. It’s really a poor man’s Leica camera :)

And I am so surprised to see that Amazon didn’t remove the lens preorder links. Is that all part of a “rumor” startegy?
Click here to see the 35mm f/1.4 lens at Amazon: 8 Elements in 6 Groups (Inc. 1 Asph. Element), Angle of view – 44.2 Degrees, Filter Size 52mm.
Click here to see the 18mm f/2.0 lens at Amazon. 8 Elements in 7 Groups (Inc. 2 Asph. Elements), Angle of view – 76.5 Degree, Filter Size 52mm
Click here to see the 60mm macro lens at Amazon. 10 Elements in 8 Groups (Inc. 1 Asph. Element & 1 abnormal disp. element), Angle of view – 26.6 Degree, Filter Size 39mm