Dave & Evelyn explore Photokina 2018 in Cologne Germany to get their hands on all the latest camera and lenses that were just announced. Watch to see a few of the highlights of the show including the new Panasonic S1R, Fuji GFX 50R, and more.
This article has been reposted with permission from kolarivision.com:
Our brand new Nikon Z7 full frame mirrorless camera arrived at the office this week, and we immediately got down to business. Four years ago, Sony fired the first shot of this battle with the A7 and continued to release one iteration after another, each improving on the last, and did so completely unanswered by the competition until August 23rd of this year when Nikon announced the Z7 and the Z6. Based on the popularity of our last teardown where we took the A7R III all the way down to its sensor , we’ve decided to provide model-by-model coverage of the full-frame mirrorless wars by showing you what’s under the hood. Specs and performance matter, but taking a detailed look inside can tell you a lot about a camera and how it stacks up to the competition. For this reason, we started with the most worthy challenger to the Sony A7R III: the powerful, 46 megapixel Nikon Z7. The hype is genuine, this camera feels just like a DSLR in your hands. It is well balanced, incredibly responsive, and tightly constructed. We’ve taken our Z7 apart and put it back together and we still can’t get it to rattle or make a noise no matter how hard we shake it. Along with its very tight tolerances, the connection ports and battery and XQD card doors appear to be well sealed against the elements.
There are some rumors about Canon announcing a new professional level EOS-PRO camera in January-February. From what I heard this camera will take quite a bit longer before it goes on market and I don’t see it ready by early 2019.
And Digital Camera World talked to Canon about the possibility of adding on sensor stabilization on future cameras:
We [i.e. Canon, editor’s note] feel that in-lens IS is the optimum system for image stabilisation […]
With an in-body IS system you are creating something that needs to work over lots of different types of lenses and different lens groups, so you don’t get a dedicated system for that particular lens.
All lenses move in different ways, and you get different types of shake depending on what kind of lens you’re using, so dedicating the IS system to the particular lens is, for us, the optimum way of doing it – but that’s not to say that we aren’t looking at in-body IS.
via CR via Canonwatch
Nikoneye catched some interesting tidbits about the new 58mm f/0,95. Nikon manager Dirk Jaspar said the ultimate and only goal of the 58mm f/0,95 is to deliver the best optical quality possible. That’s why it doesn’t have autofocus. And Dirk said this lens might beat the Zeiss Otus in terms of optical performance!
Also: Dirk’s guess is that mirrorless will at some time take over the DSLR world in the long terms. Well, I am 100% sure this is going to happen :)
In an interview with Cinema5D Fuji confirmed the GFX 100 records 4K video 4:2:0 10 bit internally. Film makers are going to love this!
via Fujirumors
