At the Chinese CPSE, Canon showed this prototype of a box camera with the newly developed 250 megapixel sensor. Of course, Canon is not saying if and when this sensor will make it into a real mass production model. Nevertheless, I think the megapixel race is over and such cameras with crazy resolution are only for an extreme niche market.

You can now buy and download the new fully AI powered ON1 Photo Raw 2025. Here is what’s new:

https://www.youtube.com/watch?v=iVutnDkDFTwa

MyNavi interviewed store owners to investigate why the Gneration Z loves Film cameras. There are also a couple of hilarious stories:

• One thing they all have in common is that most people come to the store without any knowledge of film cameras or processing. “When people come to the processing reception and ask if they can take out the film from their camera, there are many people who just open the back cover on the spot. They don’t understand how film development works, and there is no need to develop it. That’s why some people say they just want the data.”
• “Most people say they just want to put the photos they take on their smartphones. We tell them they can print them out, but very few people order them. Partly because of that, the standard is to send them in print. “Rather than printing, we will give you the scanned data of the film.” “I think Generation Z probably doesn’t have the concept of printing.”
• Furthermore, I learned a surprising fact from Mr. Mori’s statement. “Most young people choose to throw away their negatives.” Surprisingly, they don’t need negatives… As someone who has enjoyed photography for a long time since the days of film, this was a bit of a shock. It’s nothing short of surprising to see negatives thrown away so easily.
• “Young people don’t hesitate to throw away their negatives, but they still have a sense of being economical, so cheap half-frame cameras made of plastic are selling well.”
• “The reason why young people are looking for film cameras is because today’s digital cameras, including smartphones, can take too good pictures.Cameras that don’t take good pictures, and photos that don’t look good are new to Generation Z. People ask me, “Which camera doesn’t take good pictures?” (laughs)
• “Compact cameras are popular (among Z-generation film camera users). Among them, Olympus’ μ series is overwhelmingly popular. Apparently it was introduced by an influencer or YouTuber, and only μ is nominated for purchase. Even when I suggest that we have other cameras, most people don’t look at us, and if they don’t have them in stock, they just say, “Okay, that’s fine” and leave.”
• As someone who knows the film era of yesteryear, it’s always a culture shock to learn how Generation Z, which is driving the film camera boom, enjoys film photography and what they think about film photography. It has been found that young people, known as Generation Z, are attracted to Lo-Fi rather than Hi-Fi images, and a slow rather than fast shooting experience.

via Digicameinfo

Topaz just announced the new GigaPixel Ai (click here to see all new features with ton of examples).

Press text:

Gigapixel 8 brings powerful new models that push the limits of image enhancement, offering unmatched control for both restoration and creative upscaling. Whether you’re recovering lost details or generating imaginative visuals, Gigapixel 8 has the tools to elevate your images like never before.

• a
  • Redefine Model (Creative Upscaler): This new model pushes the boundaries of creative upscaling while staying true to your input image. With diffusion-based generative output and text prompts available for more specific results, this tool offers a new level of freedom for producing imaginative visuals.

• Recovery Model: This model goes beyond the capabilities of our standard models, restoring missing details in images that would have been unusable otherwise. It’s especially useful for restoring old photos, scanned images, and improving faces and text, delivering results that were previously impossible.
• Gen2 Face Recovery: With two modes—Realistic and Creative—this model offers enhanced results for faces, even in low-quality or damaged images. Whether you’re refining details to stay true to the original or creating imaginative reconstructions, this feature delivers high-fidelity, creative enhancements.

New Gigapixel Cloud Service

Alongside Gigapixel 8, we’re introducing Cloud Rendering, a credit-based, server processing option. Cloud Rendering allows anyone to offload processing tasks for faster and more efficient image enhancement, making it ideal for those with lower-powered hardware or users wanting quicker results with our Recovery or Redefine models.

Key benefits include:

• Faster processing speeds for higher-quality results
• Allows simultaneous enhancements for multiple images

Phototrend interviewed Franck Bernard, Director of the photo division at Fujifilm France. Here is a summary made by Asobinet:

What will the situation be in 2024?

• Both the medium format and the X-series in general are doing very well.
• The only thing that is struggling a bit is product availability.

Any figures specifically for the APS-C segment?

• We are the leader, with about 40% market share in non-full size.

With the X-M5, the company is back in the sub-1,000 euro entry market

• You have to be careful with your words.
• A 1000 euro camera is not an entry level camera.
• They noticed there was real demand in this price range, especially among young people.
• Smartphone prices and user demographics provide a stepping stone to this type of camera.

The X-M5 is “designed for content creators”

• Initially, the camera was designed for YouTubers.
• But the more I look at this product, the more I see it will appeal to photographers.
• This camera will also be a lever for growth in the photography world.

What do the new generations want from cameras and videos?

• The new generation is very complicated.
• Young people don’t take photos anymore, and they don’t buy the same cameras as their parents and grandparents.
• Some people are drawn to vintage design, while others are skeptical of artificial intelligence.

About AI

• Trends and demands are contradictory. Just like with music, many people are going back to vinyl records but at the same time have streaming music subscriptions. The same is true with AI.
• There are risks in terms of ownership (of the images). We are having a lot of discussions with professionals and that will have to be taken into consideration.
• Some users want their images automatically retouched, while others definitely don’t want it.
• AI can only bring benefits to the photography business in general, and the print side in particular, making the creation of photo albums easier and faster with a minimum number of clicks.

The XF 16-55mm F2.8 R LM WR II is compact and lightweight

• The lens layout and size have been completely revised.
• This progress is due to advances in research and development.
• The new generation of linear motors is slightly smaller.
• Benefit from the latest developments in ED, Super ED and aspheric lenses.

Why no optical image stabilization?

• All the best cameras have image stabilization.
• At this focal length, the benefits of optics are minimal.
• At long focal lengths, dual body and lens correction is always beneficial.

The X-M5 comes in a new package that doesn’t include a USB cable or charger.

• The goal is to reduce CO2 emissions by 2030. This is part of the process.
• The plan is to reduce colour, packaging, cardboard consumption and, where possible, the number of cables.
• You probably already have plenty of cable in your home.

Do you think Fujifilm is contributing to the “return to film” trend?

• I think it’s contributing to this trend.
• However, he is skeptical of the idea of ​​a ‘return to film’.
• As a filmmaker, I have access to market data and know whether this is truly a mass phenomenon.
• It is true that there is a craze for films, especially among young people who are eager to understand and learn.
• But we are also seeing limitations. There is certainly a return to film, but we need to consider its importance.

Now that the PENTAX 17 has been released, it would be interesting to offer a “new generation” film camera.

• I don’t know the secret.
• At the moment, I don’t think there are any new film cameras coming out.

Was the X100VI able to increase production capacity?

• I was surprised by the success of the X100VI.
• The predictions were very ambitious, but the demand the day after the announcement was beyond anything we could have imagined.

Why is this camera so popular?

• It is part of the X100 series and is not a new product.
• Demand accelerated on Chinese social media.
• It’s a Japanese-made device, compact, with an elegant, high-quality design, and fits in with the vintage trend – all these factors contributed to its success.
• We are sorry that we are unable to get them available, but we believe we will be able to deliver all of the cameras ordered in the next 10 to 11 months.
• They immediately decided to increase production, but the supply chain is complicated and deliveries cannot be made overnight.

Is the X100VI competing with mirrorless cameras in sales in Europe/France?

• The X100VI is a stepping stone into Fujifilm technology.
• The X100VI is a compact camera, not a mirrorless camera.
• It doesn’t overshadow any other products. It’s our flagship product.
• Furthermore, each product has its own consumer segment, and we would like to say there is something for every taste and budget.

About the Olympics

• There was no feedback on the X-H2S.
• There was a huge demand from photojournalists wanting to try out the GFX100S II in the field.