Samsung Introduces 1.2μm 50Mp ISOCELL GN1 with Faster Auto-focusing and Brighter Images

Press text:

Samsung Introduces 1.2μm 50Mp ISOCELL GN1 with Faster Auto-focusing and Brighter Images

Dual Pixel technology creates 100-million phase-detecting photodiodes for snappy auto-focusing and light information that can be translated up to 100 megapixels
Tetracell technology enables light-sensitive 2.4μm pixels for ultimate low-light photography

Samsung Electronics, a world leader in advanced semiconductor technology, today introduced Samsung ISOCELL GN1, a new 50-megapixel (Mp) image sensor with large 1.2μm-sized pixels. The ISOCELL GN1 is Samsung’s first image sensor to offer both Dual Pixel and Tetracell technologies. Thanks to the relatively larger pixel size, the GN1 brings image sensor performance to a new level with a combination of elevated light sensitivity for stellar low-light photos and DSLR-level auto-focus speeds, optimized for more dynamic picture-taking experiences.

“With innovative pixel technologies, Samsung has been at the forefront of offering high-performance image sensors that closely cater to increasingly diversifying market needs. The ISOCELL GN1 is part of that commitment to deliver stunning images to consumers in any environment,” said Yongin Park, executive vice president of sensor business at Samsung Electronics. “We will continue to introduce image sensor solutions at the cutting-edge that will lead the next trends in mobile photography.”

Creating desirable images is an indispensable element for today’s smartphone users who are well accustomed to visually grasping and cherishing special moments, wherever they are. To address various imaging preferences of the users, some smartphone makers put more emphasis on extremely detailed images with ultra-high resolutions, while some choose bigger pixels for bright results in low-light environments. The new Samsung ISOCELL GN1 fulfills these multiple needs at once with Dual Pixel and Tetracell technologies.

The GN1 brings best-in-class auto-focusing with 100 million phase detection auto-focus (PDAF) agents. Samsung’s Dual Pixel technology places two photodiodes side-by-side within a single pixel that can receive light from different angles for phase detection. With all of the sensor’s active pixels working as auto-focusing agents, the GN1 can detect and focus onto a desired still or moving object from every corner in an instant, even in low-light conditions. When capturing images, a single pixel output is created by merging the outputs from the two photodiodes within the pixel. Samsung also provides a software algorithm that takes light information from each photodiode to produce image resolutions comparable to 100Mp.

For ultimate low-light photography, the GN1 adopts Tetracell technology, a pixel-merging technique that improves the pixels’ capacity to capture and process more light. By binning four pixel signals into one, Tetracell doubles the image sensor’s pixel size to 2.4μm and quadruples the light sensitivity to take brighter 12.5Mp photographs. With improved light sensitivity combined with a powerful auto-focusing solution, the GN1 is able to focus on an object quickly even in extreme low-light environment to deliver both brighter and sharper results.

In addition to Dual Pixel and Tetracell technologies, the GN1 comes with Smart-ISO that intelligently selects the optimal ISO, real-time HDR that captures the scene in multiple exposures simultaneously, and gyro-based electronic image stabilization (EIS) that takes sharp images and video even when in motion. For premium video quality, the image sensor supports video recording at up to 8K resolution at 30 frames-per-second (fps).

Samsung ISOCELL GN1 started mass production this month.

Also Capture One believes the Zeiss ZX1 is coming and officially supports it :)

Today Capture One released the new 13.1.0 update and also a new redesigned website (Click here). And it looks like they also believe the “mythical” Zeiss ZX1 camera will one day come! They officially support the model :)

You can buy the new software here or download a free trial here.

Press text:

Capture One Launches a new update to Capture One 20
Bringing new features, new capabilities, a new product, and a new look, Capture One is providing better solutions for more people, and breaking new ground.  

COPENHAGEN, May 18th, 2020: Capture One, the premiere name in photo editing software, delivers a suite of announcements that highlight new product offerings, expanded capabilities, and a new direction; revealing the company’s continuing evolution and support for creatives.
The development of Capture One 20 remains driven by an evolving roadmap rooted in user feedback from both the Capture One community and creative community overall.  The latest update brings brand new heal and clone tools that reduce the need for external retouching applications while increasing efficiency, and a new Before & After Tool that gives new ways to check your editing progress and to compare your edits.
With user experience in mind, Capture One has also developed a new activation flow with new dialogues, sample images, and interface guidance that make it faster and easier than ever to become a Capture One user. In addition, the company has advanced its Lightroom Catalog importer, and together it not only makes it easier to start using Capture One, but easier to migrate without missing a step.
Beyond that, when it comes to Capture One, users have choice. There are currently a number of Capture One variants such as Capture One Fujifilm and Capture One (for Sony), and now the company is proud to deliver Capture One for Nikon. Similar to the other branded versions, Capture One for Nikon brings the full feature-set of Capture One Pro at a reduced cost to Nikon users.
“We want to enable creatives to achieve their best images as effortlessly as possible, and that is why we drew heavily on feedback from our community to develop Capture One 20,” says Jan Hyldebrandt-Larsen, VP Software Business at Capture One. “It is our commitment to support them by providing a seamless photo editing experience defined by developing the features they ask for and need, as well as the ones they didn’t know they wanted. Capture One 20 is an exciting moment for us as we happily put even more focus and resources behind that goal.”
Learn what’s new in Capture One 20 at: www.captureone.com/20 
Learn more about Capture One at: www.captureone.com 

New features and tools in Capture One 20 

New Heal & Clone Tools

New dedicated brushes for Heal and Clone will automatically create the correct layer when used 
Fast workflow with automatic source-point generation 
Limitless number of heal-zones per layer (previously only 1 p/layer) 
Most flexible healing workflow of any RAW converter 
Moveable source points, and transformable heal zones 
Fast performance and high-quality rendering 

New Before & After Tool

A new dedicated tool placed in the Toolbar with easy keyboard shortcuts 
‘Y’ will toggle before/after on and off 
‘Shift + Y’ will toggle between the two modes:  
Full View and Split View Slider (draggable) 
Fast performing and works on multiple photos in the viewer 
Full View available in all products 
The Split View Slider is not available in Capture One Express variations 

New Lightroom Catalog Import

Improved Lightroom Importer with better descriptions
Allows import of ‘offline files’ (files located on disconnected storage devices).
Capture One automatically imports files once the correct hard drive has been plugged in
Provides a report after the import with information about unsupported files
Basic image adjustments and Catalog structure will be replicated in Capture One

Ted Forbes: What I learned from COPYING a MASTER Photograph

Ted Forbes:

In our latest photo assignment, we’ve been studying the still life photographs of Josef Sudek. I’ve been working on a few of these myself and I want to share the results here. The key to think about when recreating these still life images is what is the intent? Once you start executing the details will tell you even more. This is a great way to learn how to see as well as understand the intention of the photographer.