Robin Wong:

With all the rage of new cameras capable of shooting 8K videos, ridiculously high Megapixels, even smartphones these days have 100MP cameras, I thought it was time to revisit where it all started for Olympus – their first ever Digital SLR E-1. This is a 17 years old camera (released in 2003) and has only 5MP image sensor, though that is a Kodak CCD image sensor that was well-praised for its incredibly beautiful color rendering. A dinosaur DSLR with only 5MP, 3 AF points and barebones function/features, can the Olympus E-1 survive in 2020? I brought the E-1 out for a full day shutter therapy session and here in this video I share my experience and many, many fresh images from my street photography session! For those of you who prefer to read – here is an accompanying blog article: https://robinwong.blogspot.com/2020/0…

Matt Granger finally distracted us from the 4k-8k-overheating debate. Check out his review!

Media Division writes:

In this crazy experiment we push the limits of lens speed by modding a camera to fit a massive Zeiss Biotar f0.73 lens. Along the way, we are going to take you to the dark side of the moon the realm of the legendary Zeiss Planar f0.7 lens and explain how it helped Staley Kubrick to shot Barry Lyndon in candlelight. We are going to go to the basics to explore the possibilities and to expose the limitations of ultrafast lenses. We look into the possibilities that you have to shoot ultrafast yourself, and what budget options there are. Here we test the Kipon Ibelux 40mm f0.85, the SLR Magic 25mm T0.95… and we boost a Vintage Canon FD f1.2 below f1. We compare shooting ultrafast lenses with shooting at high ISO and of course… using both in combination. Special thanks to Lyndon Gaul and the Marmalade for partnering with us.